Auditions Dates: Dec 7th + 8th
Show Run Dates: Mar 6 – april 3
Lyrics by Oscar Hammerstein II
Music by Richard Rodgers
New Book by Douglas Carter Beane
Original Book by Oscar Hammerstein II
DIRECTED BY
CHOREOGRAPHY
MUSIC DIRECTOR
Rodgers + Hammerstein’s Cinderella is the new Broadway adaptation of the beloved tale and classic musical. The story concerns a young woman forced into a life of servitude by her cruel stepmother, who dreams of a better life. With the help of her Fairy Godmother, Cinderella is transformed into an elegant young lady and is able to attend the ball to meet her Prince. In this version, she must open the eyes of Prince Topher to the injustice in his kingdom.
The Prince’s parents have died, leaving the kingdom in the hands of a villainous prime minister, who has been the Prince’s mentor and has duped his young charge into approving oppressive legislation. The rebel Jean-Michel, a new character, and stepsister Gabrielle are in love, and the two seek to overthrow the government. The score includes the best-known songs from the original version and features four songs from the Rodgers and Hammerstein catalogue. Recommended for the whole family! Rodgers + Hammerstein’s Cinderella is a timeless tale where dreams really do come true.
Audition Dates & Times
Dec 7th – Dec 8th
Day 1 – Initial Auditions
(Dec. 7 | 6pm – 10pm)
6:00–9:00 PM: Vocal auditions
9:00–10:00 PM:
Day 2 – Callbacks
(Dec. 8 | 6pm – 10pm)
TBD
MEET THE CAST
ELLA – SOPRANO B3-Eb5
Though no one notices her beneath her rags and quiet demeanor, she is op inionated, charismatic, passionate, beautiful, and funny. Idealistic and hopeful, she courageously challenges the prince to change the policies in his kingdom – and helps him discover who he truly is. Always her late father’s daughter, she is determined to see the good in everyone despite her hardships and suffering. We see her blossom into a confident woman.
TOPHER – BARITONE C#3-A4
A misguided and lost prince who longs to do something important with his life. Though brave and heroic, he feels lonely and unfulfilled. Charming but NOT a stereotypical ladies man, he is thoughtful, appealing, and innocent – with an unforced goofy streak. Moral, genuine, and kindhearted, he is at a crossroads and must take control of his kingdom and his future.
MADAME – MEZZO-SOPRANO C4-D5
Ella’s selfish stepmother. The epitome of vanity and fashion. A ravenous social climber who values wealth, status, and material possessions above all else. Unapologetically dismissive and sometimes cruel, Madame schemes her way up the social ladder.
SEBASTIAN – BARITONE C3-F4
The kingdom’s Lord Chancellor. Though he is Topher’s trusted advisor, he is devious and selfish. Using propaganda and dishonesty, he keeps Topher isolated and in the dark about his kingdom. Sebastian rules without regard for the lower class, or anyone other than himself – and truly believes he deserves to rule the kingdom.
MARIE – SOPRANO A3-Ab5
A friend to Ella and the town’s resident crazy lady and beggar woman, Marie is actually a fairy godmother in disguise. Wise, warm, otherworldly, and charming, Marie rewards Ella for her kindness by making her dreams a possibility.
GABRIELLE – SOPRANO C4-G5
Ella’s stepsister and daughter of Madame. Encouraged by her mother and sister to value material wealth and social status, she unenthusiastically joins them in their abrasive behavior. Quietly passionate, empathetic, and witty, she is drawn to Ella and Jean-Michel. Ironically aware that she doesn’t fit in.
CHARLOTTE – MEZZO-SOPRANO B3-F5
Ella’s stepsister and daughter of Madame. Brash, self-centered, materialistic, snooty, loud, sassy, and bratty, she has a ridiculously high, but unfounded, opinion of herself. She never passes up an opportunity to be the center of attention.
JEAN-MICHEL – BARITONE C3-G4
A feisty, passionate peasant determined to make a change for the starving class. Impetuous. A firebrand, but lacks authority and isn’t taken seriously as a revolutionary. Has a crush on Gabrielle, though their courtship is forbidden because they are from different social classes.
LORD PINKLETON – TENOR D3-A4
The Lord Chancellor’s right-hand man. Announces royal balls, banquets, and even the weather to the villagers.
ENSEMBLE
Giant, Fox (Puppet), Raccoon (Puppet), Footman, Coachman, Knights, Peasants, Serfs, Townspeople, Ladies and Gentlemen of the Court, Servants, etc.
This production has a kids choir that is a second ensemble. Ages for the kids choir are ages seven through 15.
Please prepare up to one minute (60 seconds) of a song of your choice, keeping in mind the musical style of the show. Selections from the show are encouraged.
Important Links
General Links
ALL THOSE WHO AUDITION MUST REGISTER & UPLOAD THEIR PROFILE TO OUR AUDITION SOFTWARE!
All performers will need to have an online profile before they will be seen. SGMT will provide help at the auditions too.
No Appointment Is Necessary
Initial Auditions will be held on June 8th. However, please plan for call backs on the 9th as well.
Bring your music tracks on a bluetooth-compatible device – A Capella is fine if bluetooth is not available.
Please only audition if you plan on making a commitment to being in the show. We encourage everyone to take any role offered – your vision of your “fit” in the cast may not match the directors.
Auditioning is an excellent opportunity to develop your craft and foster relationships with directors and performers within SGMT. We look forward to seeing you, however, please don’t audition if you’ve been cast for another show that will conflict with rehearsal and performance dates.
WHILE SGMT STRIVES TO BE FLEXIBLE WITH SCHEDULING – PERFORMANCE CONFLICTS ARE A MAJOR DETERRENT TO GETTING CAST.