Audition Calendar
Plan now to have an amazing year on stage!
Funny Girl
Auditions: February 27 & 28
Performances: May 9th – June 15th
Oklahoma!
Auditions: May 14 & 15
Performances: July 25th – Aug 31st
The Addams Family
Auditions: July 16 & 17
Performances: Sept. 26th – Oct 30th
Annie
Auditions: Aug. 27 & 28
Performances: Nov. 14 – Dec. 21
Audition Pieces for Funny Girl
Character Descriptions
Female, Lead, Mezzo-Soprano
The star of the Ziegfeld Follies on Broadway with a wonderful sense of humor. Former ‘ugly duckling’. From New York’s lower east side, quirky, fearless, comedic finesse.
Male, Lead, Baritone
Good-looking but unsuccessful gambler and the love of Fanny’s life, suave, sophisticated, and charming; must have a strong middle range voice.
Female, Supporting, Mezzo-Soprano
Fanny’s sharp-tongued but sympathetic tough Brooklyn/Jewish mother, dry funny.
Female, Supporting, Mezzo-Soprano
Typical pessimistic Jewish mother, Mrs. Brice’s poker playing friend and neighbour strong, shrill yet funny.
Female, Supporting, Mezzo-Soprano
Another of Mrs. Brice’s cohorts, a comedienne.
Female, Supporting, Mezzo-Soprano
The fourth in Mrs. Brice’s quartet of friends; Irish accent.
Male, Featured, Baritone
A song and dance man and Fanny’s closest friend who secretly loves her. Good comic timing, bright, energetic, sincere; must be a strong singer/dancer who taps.
Male, Featured, Spoken
Theatrical agent, urbane; strong acting skills.
Male, Featured, Tenor
Sings ‘The Most Beautiful Bride In The World’, a high production style tenor.
Male, Featured, Spoken
The famed elegant, imposing, resonant, and distinguished Broadway producer of the Ziegfeld follies; this is a non-singing, non-dancing role.
Male
A tough Vaudeville producer who gives Fanny her first break.
Female
Fanny’s dresser and confidante, the voice of reason, meek yet strong.
Include showgirls, dancers, and chorus (male & female).
Encompass both Keeney and Ziegfeld choristers, plus Henry Street people and various other smaller roles within the show.
STRONG SINGING AND DANCING ENSEMBLE – THERE WILL BE TAPPING!
Don’t lose out on an excellent opportunity to develop your craft and foster relationships with directors and performers which will help you as you audition with SGMT in the future! Don’t burn bridges! Don’t audition if you’ve auditioned/been cast for another show that will conflict. We promise to make your partnership with SGMT a positive, memorable one!
WHILE SGMT STRIVES TO BE FLEXIBLE WITH SCHEDULING – PERFORMANCE CONFLICTS ARE A MAJOR DETERRENT TO GETTING CAST.