Auditions Dates: July 19th + 20th
Show Run Dates: Sept. 25 – Oct. 23
Book, Music and Lyrics by Irene Sankoff and David Hein
DIRECTED BY
CHOREOGRAPHY
MUSIC DIRECTOR
When the world stood still on 9/11, an unexpected resilience unfolded in a remote Canadian town. Come From Away, a powerful and uplifting musical based on true events, tells the story of 38 diverted flights carrying nearly 7,000 passengers who found themselves stranded in the small town of Gander, Newfoundland. Undaunted by logistics and language barriers, the people of Gander welcomed the stranded travelers into their community with open arms, recognizing that we’re all part of a global family.
Audition Dates & Times
July 19th – 20th
Day 1 – Initial Auditions
(July 19 | 6pm – 10pm)
6:00–9:00 PM: Vocal auditions
9:00–10:00 PM:
Day 2 – Callbacks
(July 20 | 6pm – 10pm)
TBD
MEET THE CAST
DIANE & OTHERS:
(Female, 50s – 60s)
Diane is a traditional divorcee from Texas, who is terrified that her son may have been flying at the time of the attacks. When she finds out he is safe, she’s given a new lease on life and discovers a wilder more carefree side of herself. Contemporary soprano or mezzo with strong mix up to a D.
HANNAH & OTHERS:
(Female, 30s–50s)
Mother of a firefighter in Manhattan, HANNAH waits for news about her son and is comforted by Beulah. Contemporary soprano with strong high mix up to E.
JANICE & OTHERS:
(Female, 20s)
Eager new local TV reporter, Janice is thrown into the deep end on her first day. Initially naive about the world, Janice must face the pain and confusion around her. Contemporary soprano with strong belt and mix up to E.
BEULAH & OTHERS:
(Female, 40s–60s)
Head of the Gander Legion, with a firefighter son, she befriends Hannah and walks to church and prays with her. Quick-witted and open hearted, Beulah loves to share a joke. Mezzo w\ strong belt up to B.
BONNIE & OTHERS:
(Female, 30s–50s)
A no–nonsense mother of 3, Bonnie is the head of the Gander area SPCA. When she discovers animals are trapped on the planes, she stops at nothing to ensure their safety. Mezzo w\ strong belt up to B.
BEVERLY & OTHERS:
(Female, 40s–50s)
An American Airlines pilot, Beverly has always loved flying, but her world is changed when she hears about coworkers who were killed in the attacks, and when she is confronted by passengers who refuse to fly again. Soprano belter with strong high mix up to C#.
OZ & OTHERS:
(Male, 30s–50s)
The quirky constable in the two–person Gander police force. When the town’s population suddenly doubles, Oz helps out in unexpected ways. High Tenor up to G.
KEVIN T. & OTHERS:
(Male, 30s–40s)
The head of an environmental energy company in Los Angeles, Kevin was on vacation with his boyfriend (and secretary, also named Kevin), when they are stranded in Gander. Inspired by the town’s generosity, Kevin creates the ‘Pay It Forward Foundation.’ High Tenor up to G.
KEVIN J. & OTHERS:
(Male, 30s–40s)
Kevin’s boyfriend and secretary. Sarcastic and unhappy, he wants to leave and get back to the U.S. as soon as possible. Tenor or Baritone.
BOB & OTHERS:
(Male, 20s–40s)
A hardened New Yorker, Bob is suspicious of where he’s landed, fearing that it’s World War 3, that someone is going to shoot him and steal his wallet – but instead he ends up losing his New York jadedness. Baritone.
CLAUDE & OTHERS:
(Male, 40s–60s)
The gregarious and well-liked Mayor of Gander, Newfoundland, Claude loves his work, the townspeople, and his daily traditions, but he’s never had to deal with a crisis of this magnitude. Baritenor/Tenor up to G.
NICK & OTHERS:
(Male, 50s–60s)
An English oil engineer who is focused on his work, Nick’s life is turned upside down when he falls for another passenger, Diane. Baritone or Baritenor up to E
To audition, please prepare 32 bars from a contemporary musical theatre story song that shows vocal range and personality.
Important Links
General Links
ALL THOSE WHO AUDITION MUST REGISTER & UPLOAD THEIR PROFILE TO OUR AUDITION SOFTWARE!
All performers will need to have an online profile before they will be seen. SGMT will provide help at the auditions too.
No Appointment Is Necessary
Initial Auditions will be held on June 8th. However, please plan for call backs on the 9th as well.
Bring your music tracks on a bluetooth-compatible device – A Capella is fine if bluetooth is not available.
Please only audition if you plan on making a commitment to being in the show. We encourage everyone to take any role offered – your vision of your “fit” in the cast may not match the directors.
Auditioning is an excellent opportunity to develop your craft and foster relationships with directors and performers within SGMT. We look forward to seeing you, however, please don’t audition if you’ve been cast for another show that will conflict with rehearsal and performance dates.
WHILE SGMT STRIVES TO BE FLEXIBLE WITH SCHEDULING – PERFORMANCE CONFLICTS ARE A MAJOR DETERRENT TO GETTING CAST.