Audition Calendar

Plan now to have an amazing year on stage!

Grease

Auditions:
May 20 + 21
Performances:
July 24 – Aug. 30

Little Shop of Horrors

Auditions:
July 7 + 8
Performances:
Sept. 18 – Oct. 25

A Christmas Story

Auditions:
Sept. 1 + 2
Performances:
Nov. 13 – Dec. 20

Daddy Long Legs

Auditions:
Sept. 7 + 8
Performances:
Nov. 5 – 15

Grease

Auditions: May 20th & 21st

  • PAC (905 S Main St, St. George, UT)

  • 6pm-10:30pm
    6pm-8pm: Initial singing auditions
    8pm-9pm: Dance Auditions
    9pm-10:30pm: Dance Callbacks & Cold Read Callbacks

  • Director: Tazia Murie

  • Music Director: Alice Ericksen

  • Choreographer: Kelby Tyrrell

  • Age Limit 14+

Grease Audition Prep!

Please prepare a 32 bar cut in the style of the show!

Age Limit 14+

Sandy
Dumbrowski

Female
Soprano

Danny Zuko

Male
Tenor

Betty Rizzo

Female
Alto

Frenchy

Female
Alto

Marty

Female
Alto

Jan

Female
Alto

Doody

Male
Tenor

Kenickie

Male
Tenor

Sonny Latierri

Male
Baritone

Roger

Male
Tenor

Vince
Fontaine

Male
Spoken

Cha-Cha

Female
Alto

Eugene
Florczyk

Male
Tenor

Johnny
Casino

Male
Tenor

Patty Simcox

Female
Alto

Teen Angel

Male
Tenor

Radio Voice

Female
Soprano

Miss Lynch

Female
Spoken

The Pink
Ladies

Female
Sop/Mezzo/Alto

Rydell High
Students

Either Gender
Any

The Burger
Palace Boys

Male
Tenor, Baritone, Bass

Important To Remember

ALL THOSE WHO AUDITION MUST REGISTER & UPLOAD THEIR PROFILE TO OUR NEW AUDITION SOFTWARE!

  • All performers will need to have an online profile before they will be seen. SGMT will provide help at the auditions too.

    • Please upload your headshot and bio (First-page “Update Media Files”).
    • File requirements (Make sure to select Step 4 “Upload File.”)
      • Bios/Resumes: PDF
      • Headshots: JPG or PNG
      • Videos: MP4 or MOV
  • No Appointment Is Necessary

  • You only need to come to ONE of the 2 auditions dates but plan for a call-back.
  • You can bring your music tracks on a bluetooth-compatible device – if you would like to use sheet music, please bring your own accompanist. A Capella is fine.
  • Please only audition if you plan on making a commitment to being in the show. We encourage everyone to take any role offered – your vision of your “fit” in the cast may not match the directors.

Don’t lose out on an excellent opportunity to develop your craft and foster relationships with directors and performers which will help you as you audition with SGMT in the future! Don’t burn bridges! Don’t audition if you’ve auditioned/been cast for another show that will conflict. We promise to make your partnership with SGMT a positive, memorable one!

WHILE SGMT STRIVES TO BE FLEXIBLE WITH SCHEDULING – PERFORMANCE CONFLICTS ARE A MAJOR DETERRENT TO GETTING CAST.